Again and again and again, because that is the way of it - since flesh is grass. The brush will not define, not truly displace space - immaterial. The ochre paint is dry as chaff. The pink sweetness of perfume and pigment leaches away like fading memory. No heated ferment of corruption, just gradual desiccation to husk and seeds. Shocking red mouth, vulva, anachronistic glimpse of former potency, disturbs the gentle melancholy.
Contributor name for Geoff Sansbury.
Geoff Sansbury.
Born 1941.
Studied at Newcastle under Victor Pasmore and Richard Hamilton 1960-64.
Taught at Newcastle. 1964-65
Prix Di Rome. Painting. 1965-67.
Retired from teaching. Subject leader. Digital Media.University of Wolverhampton.2001.
Exhibited.
Young Contemporaries.
Young Contemporaries. Travelling.
London Group.
Bear Lane Gallery, Oxford
Hatton Gallery. Newcastle.
Westgate Gallery , Newcastle.
Gulbenkian Gallery, Newcastle
University of Durham
Chapel Gallery, York.
Laing City Gallery, Newcastle.
British Academy, Rome.
Palazzo di esposizione, Rome.
L’ Angelo, Sperlongo, Italy
American Gallery, Rome.
Blue Coat Gallery, Liverpool
Harlech Bienalle
Museum Tulle.Panicale.Italy.
Museum of Modern Art Wales.
Collaborative work on the internet:-
The Glass Bead Game Has Started (interrupted by virus attack 2004)
Almost The Last Brush Stroke. 2004
Awards.
W.S. Smiles. Drawing prize.
Young Contemporaries
Prix di Rome.
Public collections include
Tyne and Wear Museum.
Private collections in Europe and USA.
Again and again and again, because that is the way of it - since flesh is grass.
ReplyDeleteThe brush will not define, not truly displace space - immaterial.
The ochre paint is dry as chaff. The pink sweetness of perfume and pigment leaches away like fading memory.
No heated ferment of corruption, just gradual desiccation to husk and seeds.
Shocking red mouth, vulva, anachronistic glimpse of former potency, disturbs the gentle melancholy.